Other People's Characters: Hawkman

You've probably noticed most of my artwork is of original creations. That's not by accident. While I love watching, reading, playing, whatevering other people's creations, I don't really enjoy writing or drawing them. At least not most of the time. But every once in a while I wonder what my interpretation of another's creation might look like. You probably caught a previous serious of Wandering Koala meeting up with other famous characters like The Spider, The Phantom, Jak Phoenix, Lobster Johnson, Todd McFarlane's Spawn, and The Heckler by Keith Giffen. Those were really fun to do. So I decided to try another set, but this time just focusing on the characters from others.

Hawkman is a character I never liked until DC Comics' big Zero Hour event. They transformed Hawkman into a really cool character, and I picked up several issues. It was written by William Mesner-Loebs and drawn by Steve Lieber, both people whose work I usually enjoy. In their version, Hawkman was actually the combination of generations of Hawkmen and had supernatural powers. I'm not sure why others didn't enjoy it as much as me, because it's become a pretty forgotten chapter in the character's history.

I drew this work with my usual Staedtler 2B pencil, inked it with a Crayola marker (the original broad stroke kind) on Strathmore Sketching paper, and colored it in Adobe Photoshop with a few textures in Corel Painter. I'm really happy with how it turned out. I'm also amazed at the line quality one can get with a Crayola maker. Who says Jamba Juice isn't an inspiration for the arts!

As always, let me know what you think!

Drawing with a stick

In my never ending quest to find just the right line quality, I've gone back to a method I discovered in art school but have done little with since. One of our assignments in Illustrative Drawing was to go outside, find a stick, and then come back inside and draw a costumed model with it (yes, with a stick). It was probably the best drawing I did the whole class. I decided to try it again to see how it compared with the digital work and calligraphy work I've been doing. I drew this image with a Staedtler mars Lumograph 2B pencil, inked it with a stick dipped in sumi ink, and then colored it in Corel Painter.

To the right is the original linework. I'm always amazed at the different line quality one can get with different tools. I've been wanting a line quality that had some grit. While I think this is a cool drawing, there's still something about the digital line that compels me.

Pulp Heroes: Wandering Koala meets The Phantom, The Ghost Who Walks

This is the third in a series of new pulp fiction team ups. Previous match ups include The Spider and Jak Phoenix.

The Phantom was created by Lee Falk, who also created Mandrake the Magician, and appeared in newspaper comics. The original Phantom was hijacked by pirates and swore an oath that he and his descendants would fight evil. Most stories center around Kit Walker and his girlfriend Diana Palmer.

The Phantom appeared in a movie serial, comic books, a major motion picture, animated cartoons on television with other King Feature Syndicate characters and in his own show as a futuristic version, and mini-series on SciFi. He wears a purple costume and carries guns. Because he didn't actually originate in the pulps, some don't consider him a true pulp hero, but he had the mood, style, and sense of adventure that fits the genre. He is considered by some to be the first costumed character or superhero predating Superman by several years because he had a costume. I still consider Superman to be the first, because it was his introduction that launched the whole genre and spawned so many imitators.

I've liked The Phantom for quite a long time. A guy in a purple suit running around with a dog shouldn't be exciting and enduring, but the character is. Moonstone published an anthology of short stories with illustrations by Ruben Procopio a few years back that was great. I'm currently reading reprints of the old comic strips which are continue to impress me with their draftsmanship and engaging stories. It was while reading those that I got the idea for this series of Pulp Hero team ups.


The illustration was sketched with a 2B Staedtler pencil, penciled with a Papermate Sharpwriter #2 pencil, inked with a brush and sumi ink, and colored in Adobe Photoshop CS. The building was constructed in Google SketchUp and rendered in Corel Painter X.

You can read more adventures of Wandering Koala in his latest adventure Wandering Koala uncovers the Sixth Figure. You can follow The Phantom in pretty much any format you like short of radio dramas.

Pulp Heroes: Wandering Koala meets The Spider, Master of Men

This is a second in a series of Wandering Koala team ups with some of my favorite pulp heroes and pulp-type characters. The first was Jak Phoenix.

The Spider was one of the most popular pulp fiction heros of the 1930s and 40s. He was created in response to the popularity of The Shadow. By day he was Richard Wentworth, wealthy criminologist who regularly consulted for the police. At night he put on a wig and fangs and stalked those who plagued society as The Spider, Master of Men. He carried two 45s and used them regularly to kill lawbreakers. Like most pulp heroes, he predated Superman, Batman, and the other costumed characters by several years.

The Spider also appeared in two 15-chapter cliffhanger movie serials, The Spider's Web in 1938 and The Spider Returns in 1941. He was brilliantly portrayed by Warren Hull who also played Mandrake the Magician and The Green Hornet. The Spider Returns was originally written to be the sequel to the 1940 The Shadow movie serial, but legal squabbles killed the project. Since The Spider was more or less a competing company's version of The Shadow, filming the script with The Spider instead was an easy fit.

I was first introduced to The Spider by a cover illustration by Jim Steranko on a book called The Spider: Robot Titans of Gotham reprinting two Spider stories sitting in Barnes & Noble. I had never heard of the character before, but I had recently discovered that a certain style of art I've always loved was called Pulp Art and this was part of that. So I bought it. I was impressed that the story began with an attack and the action never let up until the end. It's rare an author dares do that.

I also was impressed by his girlfriend Nina who was truly an aeser cognito or perfect compliment for him. When most people talk about a "strong female role" they aren't talking about a strong, confident woman but a rude, duplicitous, witchy female who tries to do everything she can to be a man by having his job and his bad habits. Nina was 100% woman, very feminine, very pleasant, and very nurturing. At the same time she was very strong--not tough--strong. She had principles and values and held to them even when it wasn't convenient or beneficial in the short run. She was confident and loyal. She stood by Wentworth and even risked her own life to save others. She is a true strong female role model. She was very much like the best versions of Wonder Woman--the rare times the writers get her right such as William Moulton Morrison's original run and the Linda Carter TV series. More writers need to take note.

I did more research and discovered there were two Spider movie serials. Reviews online praised them for the number of guns that were fired. Being the fan of movie serials, I had to have them. At the time there was a company that had acquired several film rolls and had transferred them to DVD and sold them on eBay. I bough many, many DVDs from them. In this version, The Spider didn't use a wig and fangs, but a hood and cape with a spiderweb pattern. I loved this look the best, and that's the one I used in my illustration.

The illustration was sketched with a 2B Staedtler pencil, penciled with a Papermate Sharpwriter #2 pencil, inked with a brush and sumi ink, and colored in Adobe Photoshop CS. The building was constructed in Google SketchUp and rendered in Corel Painter X.

You can read more adventures of Wandering Koala in his latest adventure Wandering Koala uncovers the Sixth Figure. You can read more about The Spider in a series of eBooks reprinting his early adventures at Radio Archives. And be sure to leave a comment and let me know what you think.

Raw Umber: World War I and Veterans Day

It's funny. In grade school whenever a holiday came around we would spend time discussing it, its origins, how to celebrate it, and many times read a book or listen to a story.

But we never did for Veterans Day.

Never.

In fact, I don't think I really even had heard of Veterans Day or knew what it was until I worked at an evil bank in Arizona. It was one of those "banking holidays" we got off for but no one else did.

I was curious; why is there a Veterans Day and a Memorial Day? What was the difference? Why do we have both? I love Memorial Day, so why didn't I celebrate Veterans Day?

I learned Veterans Day was established for World War I, once called the Great War but now is largely a forgotten war because of the second World War. Being a fan of Silent Films and Pulp Fiction, I've recently been learning a lot about World War I, because that was the Great War constantly referred to in both. I've also recently realized who the Red Baron Snoopy is always chasing in Peanuts is. The movie Flyboys is one of the few modern movies about that era. It's a great flick to catch if you get the chance.

So I've decided to celebrate Veterans Day, and I'm starting with this illustration in my new Raw Umber style (previously called Burnt Umber) named after a beautiful color I use for yellow in my watercolors. I drew it with a 2B Staedlter pencil, then inked it with a Pigma Brush Pen and Zip Writer felt-tipped marker. I scanned it with a Canoscan Lide and digitally toned it in Adobe Photoshop CS. Then a layer of tinting and wallah! The masterpiece is finished and online for all to enjoy. It is the second illustration in this style, and I am very pleased with it.

Please leave a comment and let me know what you think!