Character Sketch: Wandering Koala ready for his dance lesson

Our favorite Silent Wanderer ^TM is getting ready for his dance lesson. This was inked with a Tombow Soft Brush Pen and colored in Adobe Photoshop CC. The background was created in Photoshop.

New Sketches for a New Year

Happy 2016! 

I thought I'd start off the New Year with some new sketches. These were all done in pursuit of a permanent style for my upcoming Wandering Koala web comic. I've made a couple attempts at it with a couple of different blogs, but neither of them excited me like I wanted them to, so here's hoping third time is the charm.

The sketch above was actually done on New Year's Day. I drew it with a Japanese Brush Pen and then colored it in both Adobe Photoshop and Corel Painter. I've tried a lot of different programs, but nothing gives you a truly painterly feel like Corel Painter. Adobe keeps trying, but it still looks and feels so digital, which isn't a bad thing, it's just not what I'm going for.

 These next two sketches were drawn in what I call my "combo brush". Basically I ink the figure with a Zebra disposable brush pen and then go over it with my Japanese Brush Pen to give it texture and grit. The background was also inked with the brush pen. I used a pattern effect in Photoshop to tone the image. I know it's retro, but there is something I just love about those thin mechanically-produced hatching lines. The color version was colored in Adobe Photoshop. I'm thinking of running it thru Corel Painter like the illustration above to make it look more painterly. While I approached both illustrations with the same basic technique, there is something so much more "painterly" about the above illustration.

As always, let me know what you think!

Drawing with a stick

In my never ending quest to find just the right line quality, I've gone back to a method I discovered in art school but have done little with since. One of our assignments in Illustrative Drawing was to go outside, find a stick, and then come back inside and draw a costumed model with it (yes, with a stick). It was probably the best drawing I did the whole class. I decided to try it again to see how it compared with the digital work and calligraphy work I've been doing. I drew this image with a Staedtler mars Lumograph 2B pencil, inked it with a stick dipped in sumi ink, and then colored it in Corel Painter.

To the right is the original linework. I'm always amazed at the different line quality one can get with different tools. I've been wanting a line quality that had some grit. While I think this is a cool drawing, there's still something about the digital line that compels me.

Character Sketch: Jungle Warrior

I'm a huge fan of Pulp Art and Jonny Quest cartoons. They have a very similar feel and color scheme. I'm also a big fan of jungle art, art with Indians, and Tarzan. This illustration combines a little from all of those.

This is also my latest attempt at digital painting. The figure was drawn with a Zebra disposable brush pen and colored in Adobe Photoshop. The background was painted in Corel Painter with a variety of tools.

I really liked how it turned out, especially the colors.

What do you think?

Digital Painting the Corel Painter way

It's no secret I love Pulp Art (Doc Savage, The Spider, The Bat, and more) and Boys Adventure Stories (Hardy Boys, Tom Swift, and more). I love the painted covers. I love the black and white pen & ink illustrations inside.

I've always wanted to create books like those. And a few years ago I published my first one. Pick it up if you haven't already. Links to Paperback and eBook versions are at www.WanderingKoala.com. I wrote the boys adventure type story (but for an older, more sophisticated audience), I drew the black and white pen & ink (and brushwork) illustrations for the interiors, and I painted a cover.

Ok, that last part I didn't do--not really.

I tried. I really did. But I just can't paint. So I did the best I could, and it turned out well, but.... I figured I would never have painted covers unless I hired someone to do them, and I really didn't want to do that. It was bad enough hiring an editor for my second novel. He did a great job and gave me numerous insights that have helped my writing tremendously, but I still want my work to be MY work--100% Jeff.

Then the other day I was watching several courses from Lynda.com (great site to learn to use graphics programs--get a subscription if you don't already). I discovered some really cool and amazing things that Corel Painter can do--things I had no idea I had software for. So I put the lessons to use.

Above is my latest work. It took several tries to get it right, but I think it turned out well. It looks like the background from Tarzan. I'm definitely going to try this technique to have a truly painted cover for my next work, The Green Bull (a Wandering Koala tale), and not just a wannabe painted cover.

I can't wait!

Character Sketch: Princess Ballroom

You've probably noticed I've been pretty quiet on this blog. Why, you ask? I've been working on an animation project. It should be finished soon. until then, enjoy my latest character sketch:

This was inspired by Princess Knight by the great Osamu Tezuka, a graphic novel that was recently released in English and I just finished reading. The story itself was kind of a mess, but the drawings were really nice. The style was more early-Tezuka then late-Tezuka. There was a strong influence from Disney cartoons.

This was drawn in Corel Painter X with the background rendered in Adobe Photoshop with Painter texture drawn on top. Overall it turned out well, but I don't think it's a style I will keep exploring.

Stay tuned for the upcoming animation. Here is a sneak peek:

Character Sketch: A Real Cowboy

So I'm back to character sketches and character designs. This time I turn to the West for a cowboy.

I drew this in Corel Painter X. I'm really starting to enjoy the look of digital inks. As I mentioned in a previous post, digital art should look like digital art and not traditional, and this is another step towards creating a unique look for my work.

I created two versions to test coloring styles. For the first I used my typical painting style in Painter from the half page comic days. For the second I used a new style with Photoshop shadows. I thought the second version would looks better, but I think I like the first.

I think the background turned out exceptionally well. The figure I'm not as happy with. It's good, but not great. He feels a little stiff.

But let me hear what you think.

Digital Painting - New Tool or New Medium?

This may surprise a few people, but there was a time before computers existed. No really, there was. Back then artists created work with paint, watercolors, ink, charcoal, and other physical mediums, not Photoshop or Wacom tablets. Once computers were invented, it didn't take long for computer graphics to rear their pretty heads. At first they were pretty primitive and had a distinct look. (Check out The Last Starfighter to see what I'm talking about.) By the 90s, computers were powerful enough to create work that looked like it had been made by hand. That lead many to ask whether computers were merely a new tool to create work that looked like traditional art, or whether computers were a new medium with it's own look and characteristics.

They were both right.

Many people use computers to mimic traditional art methods. But not me. I've said many times that a watercolor should look like a watercolor, and an oil painting should look like an oil painting. While you can create photorealistic oil paintings or rich watercolors that look like oil, one has to ask why. Each medium has really cool and unique properties, and the artist should take advantage of them. And that doesn't apply strictly to visual art either. Movie adaptions of books should take advantage of cinema and not try to follow a book to closely, as should book adaptions of movies.

I've been working with a number of computer programs including Adobe Photoshop, Corel Painter (which does an amazing job of emulating natural media), Google Sketch Up, and others. I've been trying to create a style that looks digital, but not cheesy-we're-still-stuck-in-the-90s digital. The drawing above is my latest attempt. It has all the hallmarks of a traditionally drawn and painted work, but there's no question it's digital. I'm happy with how it turned out. I think an illustrated eBook with this type of art would be pretty cool, especially on a tablet. Maybe for my next project...

The next phase of painting

Man has been creating art for as long as he's existed--at least as far as we know. He's used every medium, tool, and device he could get his hands on. In the ancient world, painting on walls was very popular. Unfortunately, most of those walls have fallen and taken the paintings with them. In the middle ages artists used more portable canvases such as wood panels and stretched canvas. More of these exist today but not in their original locations. For those works specifically designed for a space, something is missing.

In the 21st century we have the same tools as previous artists--oils, watercolors, graphite, charcoal, pastel--and we have a few additional tools: pixels and electrons.

The illustration above is my latest attempt at digital painting. I tried making it look like a traditionally painted painting, but that just isn't me. And in today's world, very little traditional painting and illustration is used. Just look at a a movie poster, book cover, magazine graphic, or even newspaper. All of these used to be filled will hand drawn and painted illustrations. But today they use photography and computer generated works. It's the current trend. The good side is it is much quicker and cheaper to create media. The bad side is legions of artists are graduating from art school with little opportunity to use their skills to earn an honest living. What does this mean for the art? Good question.

While you ponder it, enjoy my latest work, and be sure to comment and let me know what you thing.

Exploring the mysterious caverns and caves below the ground

I've always been intrigued by images and stories about caverns and caves below the earth. Maybe that's why Mole Man is one of my favorite villains--it certainly isn't because of his powers or stories that have been told about him.

While exploring a new digital painting style, I thought the style would lend itself nicely to rock formations. And it did. Then I had to decide what to fill the caverns with. After all, it isn't the rocks alone that make these stories so interesting, but the exotic creatures and plants one finds down there. So I created a collection or unseen beasts based on the works of George Méliès and a gargoyle. The colors are the palette I've been using from old Steve Canyon covers. The characters were inked with a Zebra disposable brush pen and colored in Adobe Photoshop.

Overall, I like how it turned out, but it isn't exactly the style I'm going for. Back to the drawing board.

The shape of the canvas matters

I've been experimenting with a new style created from an amalgamation of things I've learned from past styles. (One of these days I'll settle on one--no, really, I will!) The style was meant for an illustrated novella, so naturally I created it vertically.

But I wasn't very happy with the results. I had moved on to another illustration, but something in the back of my mind said it had a lot of potential and only needed a little tweaking to realize it.

So I tweaked. I changed the format from vertical to horizontal, and wallah! Success. I'm much, MUCH happier with the result. But don't take my word for it.

Digital Watercolor - Ladybugs

I've begun an exciting animation project, and as part of that I've been trying to come up with a style for the background paintings. I've created animations in the past, but I've never been happy with how the backgrounds turned out. I've studied hours and hours of animation, and the backgrounds I've been most impressed with were the ones created in watercolor and gouache (opaque watercolor). But I'm not the greatest watercolorist, and doing them on paper and scanning them in would add to the already incredible time burden.

So I decided to go digital and let the computer do the heavy lifting. I've tried several different methods in Corel Painter, the greatest paint program ever created, but I've never been satisfied with the results. I even tried using Brushes for the iPhone.

Then a few months ago I developed a technique to add textured shading to illustrations in Adobe Photoshop for a black & white illustrated novella, The Caveman Conspiracy (a Wandering Koala tale). I loved the results. I wondered if the technique could be used with color to create digital paintings. But how to approach it?

Then today I went to see The Secret World of Arrietty by Studio Ghibli. While watching the film, I studied the backgrounds and thought of a similar technique. Of course, I don't have a tenth of their skill or talent, but that doesn't mean I shouldn't try.

So using the shading technique and a texturing technique I developed while working on Wandering Koala uncovers the Sixth Figure, I came up with this. I really like how much it looks like a watercolor painting, how bright the colors are, and how quickly and cleanly I was able to create it. It still needs some work and refinement, but I think I'm on the right track.

But that's just me. What do you think?