Friday, May 18, 2012
Exploring the mysterious caverns and caves below the ground
I've always been intrigued by images and stories about caverns and caves below the earth. Maybe that's why Mole Man is one of my favorite villains--it certainly isn't because of his powers or stories that have been told about him.
While exploring a new digital painting style, I thought the style would lend itself nicely to rock formations. And it did. Then I had to decide what to fill the caverns with. After all, it isn't the rocks alone that make these stories so interesting, but the exotic creatures and plants one finds down there. So I created a collection or unseen beasts based on the works of George Méliès and a gargoyle. The colors are the palette I've been using from old Steve Canyon covers. The characters were inked with a Zebra disposable brush pen and colored in Adobe Photoshop.
Overall, I like how it turned out, but it isn't exactly the style I'm going for. Back to the drawing board.
Wednesday, May 9, 2012
The shape of the canvas matters
I've been experimenting with a new style created from an amalgamation of things I've learned from past styles. (One of these days I'll settle on one--no, really, I will!) The style was meant for an illustrated novella, so naturally I created it vertically.
But I wasn't very happy with the results. I had moved on to another illustration, but something in the back of my mind said it had a lot of potential and only needed a little tweaking to realize it.
So I tweaked. I changed the format from vertical to horizontal, and wallah! Success. I'm much, MUCH happier with the result. But don't take my word for it.
But I wasn't very happy with the results. I had moved on to another illustration, but something in the back of my mind said it had a lot of potential and only needed a little tweaking to realize it.
So I tweaked. I changed the format from vertical to horizontal, and wallah! Success. I'm much, MUCH happier with the result. But don't take my word for it.
Thursday, April 26, 2012
Batter Up! (Wandering Koala plays ball.)
I don't like baseball--playing it or watching it--but I do think it's visually interesting and makes great art. So I decided to make art with it!
This was inspired by a collection of old comics I recently purchased. Back in the early days of the golden age of comics, superheroes (or costumed characters as they were called back then) would appear in anthologies, World's Finest and Comic Cavalcade, and share the cover doing some mundane task like playing baseball, waterskiing, or walking a tightrope in the circus. Until World War II, and then they punched out the Axis. I always liked those covers (the everyday and the propaganda ones). I thought Wandering Koala would work well in a similar situation, so I drew it.
As usual, I drew this with a Staedtler 2B, inked it with a paint brush and sumi ink, and then colored it in Adobe Photoshop. It turned out well. I just with I could bring myself to use hard lines instead of the more painterly look. One of these days. I just found a whole bunch of great old Steve Canyon covers...
As always, let me know what you think!
Wednesday, April 25, 2012
Color Illustration: Chained and Doomed
I'm not sure why I felt like drawing a six-armed beast with a blade in each hand ready to slice a chained Wandering Koala, but I did. Chains look really cool, have great texture, and take forever to draw. I really like how there are only two colors on the beast, and yet he looks like he's in full color. I also beat up the Wandering Koala more than usual with cuts, bruises, and torn clothes. Usually he escapes untouched, but that can get boring after a while.
I drew this with a Staedtler 2B pencil, inked it with a brush and sumi ink, and colored it in Adobe Photoshop and Corel Painter. I used a more painterly style, because this was a fantasy illustration and fantasy looks best in surreal paints.
Let me know what you think!
Tuesday, April 24, 2012
Book Cover: Jak Phoenix 2

What you see above is the cover to the latest novel in the Jak Phoenix Adventures series written by Matt D. Williams. I illustrated the cover, and it is pretty darn cool if I do say so myself.
If you read the first novel, then you know the series is classic space opera. The title character would rather kick back with a cold one than save the galaxy, but somehow he manages to do both. What's nice about this second book, The Markazian Deception, is it has all the charm and character of the first, but it is a completely different kind of story so you don't feel like you're reading a remake. So what's it about? Here's the synopsis:
Destroying a megalomaniac’s dreaded star cruiser was just part of another day for Jak Phoenix. The real trouble comes when it’s time to find steady employment.Sounds pretty exciting, doesn't it? This book is another classic work of space opera that's lots of fun to read and filled with wild shenanigans, back room deals, and several twists to hold your attention until the very end. It's currently available in all eBook formats from Smashwords, for the Kindle from Amazon.com, and will soon be available at other retailers and in paperback--but why would you want to read a paper book when an eBook is so much better?
The Miraltans simply need a pilot to help them evade trouble with bandits along their shipping routes. While the job doesn’t sound like it’s boiling over with excitement, it may be the easy money Jak and Baxter are looking for.
But, things aren’t always what they seem when Jak finds himself forced to take sides in a dispute he doesn’t fully understand. Never a man to volunteer help easily, Jak is quickly thrown far out of his element and finds his choices could jeopardize not only himself, but his friends and countless others.
Friendships will be tested and loyalties will be questioned in the second action packed Jak Phoenix adventure!
Thursday, April 19, 2012
Wandering Koala meets The Heckler
So I drew one.
I used a painting texture style that I developed while illustrating a children's storybook a couple of years ago. I really liked the effect and thought it would suit this work. The line work was created with some funky Zebra disposable pen brushes I purchased at JetPens. I included the black & white version below. It works really well in black & white, something I always try to do. Not only do I end up with two illustrations, but if an illustration works in black & white, then it seems to work better in color.
As always, let me know what you think.
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Thursday, April 5, 2012
Digital Watercolor - Ladybugs
I've begun an exciting animation project, and as part of that I've been trying to come up with a style for the background paintings. I've created animations in the past, but I've never been happy with how the backgrounds turned out. I've studied hours and hours of animation, and the backgrounds I've been most impressed with were the ones created in watercolor and gouache (opaque watercolor). But I'm not the greatest watercolorist, and doing them on paper and scanning them in would add to the already incredible time burden.
So I decided to go digital and let the computer do the heavy lifting. I've tried several different methods in Corel Painter, the greatest paint program ever created, but I've never been satisfied with the results. I even tried using Brushes for the iPhone.
Then a few months ago I developed a technique to add textured shading to illustrations in Adobe Photoshop for a black & white illustrated novella, The Caveman Conspiracy (a Wandering Koala tale). I loved the results. I wondered if the technique could be used with color to create digital paintings. But how to approach it?
Then today I went to see The Secret World of Arrietty by Studio Ghibli. While watching the film, I studied the backgrounds and thought of a similar technique. Of course, I don't have a tenth of their skill or talent, but that doesn't mean I shouldn't try.
So using the shading technique and a texturing technique I developed while working on Wandering Koala uncovers the Sixth Figure, I came up with this. I really like how much it looks like a watercolor painting, how bright the colors are, and how quickly and cleanly I was able to create it. It still needs some work and refinement, but I think I'm on the right track.
But that's just me. What do you think?
Saturday, March 24, 2012
exotica: A Spoiled Sultan
Years ago I had an idea for series of illustrations where I would design them using musical beats and rhythms, a limited color palette, and animals with their textures throughout. I named it exotica, a word I heard in school when describing unique imports from other countries in the old days when shipping was still done by wooden ships. I completed three illustrations. While the layouts and coloring were cool, the line work was terrible, the anatomy and positioning of the figures needed work, the materials I used resulted in an amateurish finish, and there were a few other problems. I still thought the concept was a great idea, and I always intended to pick it up again.
Recently I completed a series of pulp team ups with my character Wandering Koala and was a little disappointed with how they turned out. I thought they could be better. So I asked myself, "Self, what could you do to improve your illustrating?" I thought giving exotica another go would help.
I love the work of Edmund Dulac. He was a victorian children's book illustrator from the turn of the century (early 20th, not 21st) who painted a lot of oriental scenes (Arabian Nights, Chinese tales, and much, much more). I love his sense of color, design, and the way he designed his figures. I've also always loved the Arabian Nights and things like it, so I decided to try a scene in that spirit. I laid it out with a Staedtler 2B pencil and inked it with a brush and sumi ink. I thought about coloring it, but it worked so well in black & white I decided to leave it. I love black & white artwork, but so often I get nervous and color it. I need to be braver and just leave the line work.
Let me know what you think. The drawing and design are much stronger than my recent illustrations, but I've still got more work to do. Check back often to see what I come up with next!
Tuesday, March 13, 2012
Pulp Heroes: Wandering Koala meets Lobster Johnson
This is the final pulp team up (for now) of Wandering Koala with my favorite pulp characters. Lobster Johnson was created by Mike Mignola in the pages of his Hellboy comic book. Initially he was a pulp character in the spirit of The Spider or The Shadow sporting twin guns but with a mysterious background. He eventually appeared in his own mini-series and novel. His second mini-series is currently on sale.Monday, March 12, 2012
Pulp Heroes: Wandering Koala meets The Phantom, The Ghost Who Walks
This is the third in a series of new pulp fiction team ups. Previous match ups include The Spider and Jak Phoenix.
The Phantom was created by Lee Falk, who also created Mandrake the Magician, and appeared in newspaper comics. The original Phantom was hijacked by pirates and swore an oath that he and his descendants would fight evil. Most stories center around Kit Walker and his girlfriend Diana Palmer.
The Phantom appeared in a movie serial, comic books, a major motion picture, animated cartoons on television with other King Feature Syndicate characters and in his own show as a futuristic version, and mini-series on SciFi. He wears a purple costume and carries guns. Because he didn't actually originate in the pulps, some don't consider him a true pulp hero, but he had the mood, style, and sense of adventure that fits the genre. He is considered by some to be the first costumed character or superhero predating Superman by several years because he had a costume. I still consider Superman to be the first, because it was his introduction that launched the whole genre and spawned so many imitators.
I've liked The Phantom for quite a long time. A guy in a purple suit running around with a dog shouldn't be exciting and enduring, but the character is. Moonstone published an anthology of short stories with illustrations by Ruben Procopio a few years back that was great. I'm currently reading reprints of the old comic strips which are continue to impress me with their draftsmanship and engaging stories. It was while reading those that I got the idea for this series of Pulp Hero team ups.
The illustration was sketched with a 2B Staedtler pencil, penciled with a Papermate Sharpwriter #2 pencil, inked with a brush and sumi ink, and colored in Adobe Photoshop CS. The building was constructed in Google SketchUp and rendered in Corel Painter X.
You can read more adventures of Wandering Koala in his latest adventure Wandering Koala uncovers the Sixth Figure. You can follow The Phantom in pretty much any format you like short of radio dramas.
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