You've probably noticed I've been pretty quiet lately. There's a good reason for that. I've been working on a new 80-page comic book. I'm a little over half way done, so you should be seeing it in the next month or so. As usual, I'm trying something new art and storywise. Will it work? Will it be a complete failure? Who knows? But until then, here is a quick preview.
Thursday, July 14, 2016
Monday, May 2, 2016
The look wasn't new as the visual style was very similar to German Expressionistic films of the 1920s. Fritz Lang was a prominent director of both German Expressionist films in Germany in the 1920s and Film Noir in the 40s and 50s.
But even that had an antecedent with chiaroscuro painting (italian for "light-dark") from centuries early. And likely this extreme contrast technic existed millennia before, but works don't currently exist so we don't know about it.
In the modern era this style is mostly used in comic books with Frank Miller's Sin City being the most well known example. The contrast provides visual interest to make up for the lack of color. And in more practical terms, the brain tends to process black and white art like it does works making it more effective for storytelling than colored art.
The image above is a Character Design for the René character in my Wandering Koala series. I've made several attempts at the character. I'm not sure this is the final version, but I'm getting close.
Let me know what you think!
Saturday, April 16, 2016
I've written before about how the media you use should look like the media it is. That makes digital a little bit of a sticky wicket. It certainly has its own look, but at the same time it's really good at mimicking other media.
So is it wrong to try and make digital look traditional? I think so, because on is missing a real opportunity. There are things digital can do that nothing else can, and one would be silly to not take advantage of it. Of course, what does that mean? Certainly the time saving and money saving benefits. But what about the look of the final product?
I think even if one wants a work to look traditional, they should let a little of the digital's nature shine through to give the work that extra umph.
The two illustrations above were drawn with a Japanese brush pen and then colored in Adobe Photoshop to look like watercolors. But if you look very closely, you'll notice they are digitally colored, and I think it adds.
But what do you think?
Wednesday, April 13, 2016
Wednesday, April 6, 2016
Monday, April 4, 2016
I've always loved the look of watercolor and the actual experience of producing watercolors. There is such a hand crafted quality to it. Which is why I find digital watercolors so ironic, and yet so beautiful.
The illustration above was produced in Adobe Photoshop using flat colors, one watercolor brush, and a few filters and photoshopping to give it a watercolor look even though the color is 100% pixels. I really like the end result, even if it is cheating.
What do you think?
Monday, March 21, 2016
Let me begin by defining terms. By pen I refer to words (creative writing, business/professional writing, critical writing, etc) either written or spoken. By brush I refer to visual art (illustration, painting, photography, sculpture, etc.). These tools may be used separately such as in a novel, poem, or painting on a wall. Or they may be used together such as in an advertisement or storybook.
Show Not Tell
Often English and Writing teachers and so-called "experts" will tell you to "show, not tell" implying that painting a visual picture in the mind is better than explaining a situation with words. They claim this creates a more vivid picture, evokes feelings, communicates ideas, etc. that mere "telling" just can't. This suggests that the brush is mightier than the pen. And this from proudly professed wordsmiths.
But then I've read many statements by comic book writers/artists that get all excited about creating a completely wordless issue (all start out as artists illustrating other people's stories) and then complain about all the limitations and difficulties they face not being able to put in simple captions such as "2 hours later" or "the next day" because while you technically can show these concepts visually, they take up a lot of space and aren't always clear. And in movies you see words used at the beginning to set the scene, at the end of "based on a true story" summing up how the story really ends, and throughout the movie even when we can visually see when and where we're at. This suggests there are times the pen is mightier than the brush, and this from artists first who later write.
So the simple question does not have a simple Yes or No answer. There seems to be times and situations when one is better than the other. So what about the meatier parts of the story? And is a combination of both better than the sum of the parts?
The Book was Better
Most movies it seems are either remakes of older movies or adaptions of books, plays, comics, etc., so there is a book or other written source to compare it too. And more often than not people who have both read the original and seen the adaption adamantly claim with absolutely no hesitation the book was better. Why is that? The book only had words, the pen. The movie had both visuals and words, both the brush and the pen. So shouldn't the movie always be better?
This may seem like a paradox, until one considers there are other factors involved. First, books tend to require several hours to read meaning they have more time and space to tell their story. Movies are, with very few exceptions, 1 1/2 hours to 2 hours long meaning something has to be cut, and usually a lot of somethings. Second, movies also tend to want to do something different than the book to justify its existence and because it is a different medium. I've seen direct adaptions to the screen and was always very disappointed. There are things film does very well and you have to make changes to take advantages of these. A lot of times people don't like these changes or resent them. Third, while books are just words, they can paint a mental picture, meaning they can mimic the brush and use it's strengths. A lot of times people complain about certain things being left out or not as well developed. This tends to be the narration or thoughts of the characters that are clearly spelled out and explored in great detail. Movies don't do that as well both because of form and time.
In my experience, whichever one I experience first is more likely to be my favorite, because it sets the expectations the other has to live up to. Of course, this requires a caveat. I usually experience both only if I liked the first. (I'll only watch the movie if I liked the book and vice versa.) If I didn't like the first, I usually don't experience the second and give it a chance. I liked the book Timeline better than the movie, but I liked the movie The Fellowship of the Rings better than the original novels. But this isn't always true. I saw the movie Paranoia before I read the book, and while I enjoyed both, the book was better.
These examples have complimented the matter further providing arguments for both sides while creating a third side.
I don't know much about Art, but I know what I like
Unlike math, science, engineering, IT, or other fields of study, art has a large measure of subjectivity you just won't find when adding 2 to 2. This subjectivity seems to throw a monkey wrench into the works. Someone may love a work of art because it brilliantly exemplified the principles of design while another person hates it because it's a picture of a dog and he hates dogs. This subjectivity tends to contribute a rather large undue influence over an otherwise objective evaluation of a work. This explains why the same book or the same story can appear on both a 10 ten list and a worst 10 list. There are some people that are snobs for one thing or another (such as book snobs that insiste the book is ALWAYS better even when it isn't or physical is better than Kindle edition even if they are identical). One can say, "well his or her opinion is only his or her opinion and doesn't matter," but it does--to him or her. That opinions shapes not only thoughts but judgement and enjoyment.